A few huge white walls stood on the competition ground, forming a symbol that was more obvious than anything else.

Hawkes was now circling around the white paper walls made by the Tōun.

There were six paper walls in total, evenly distributed. There was a large distance between each wall, but Hawkes could not pass through the gaps.

Hawkes raised his eyebrows.

Due to his close relationship with the Tōun family, he was very familiar with this formation.

This was the Tōun family's enchantment.

The Tōun family was an ancient family. For generations, they would practice some spells. These spells were passed down from generation to generation, and had undergone continuous inheritance and evolution. There were even rumors that they could obtain the power of the Nirvana Realm.

This ability was more commonly known as the Yin Yang Technique or the Art of Psychic Communication. Before the term "personality" came into existence, it was believed that only people with spiritual power could learn it.

With the development of society and the emergence of personality, people now began to use personality to scientifically and systematically explain these legendary abilities.

The members of the Tōun family had personalities that were more or less related to paper, and Yayoi Higashikuma had integrated it to the extreme. He could condense paper of various shapes and materials at his will.

In today's hero society where strength and natural-type personalities were dominant, this sounded a little weak and powerless.

Moreover, there were people who were popular in American manga nowadays. Even the Tōun himself felt that his overly traditional personality was not very compatible with the hero society.

However, the Tōun family had always passed down the idea that paper was a psychic object.

This "special" paper produced by personality was the best medium to gather spiritual power. Contracts, charms, enchantments, these Yin Yang Psychic Communication Techniques that were passed down could be greatly strengthened. It was not an exaggeration to say that it was a divine artifact.

When he was about four years old, Yayoi Higashikuma awakened his personality.

He was a whole year later than his brother.

At that time, Yayoi, who was still a little radish, was surrounded by fine white confetti, as if it was a warm snowfall.

Yayoi excitedly waved her little hands in the air, trying to catch these beautiful and seemingly alive spirits. These little guys also obediently gathered together, taking the initiative to form a circle in front of Yayoi.

Yayoi's father, who was familiar with all kinds of paper-related personalities, immediately understood Yayoi's personality: the manufacture and control of paper.

This was the most common trait in Tōun's family, which had a long history.

Although it was flexible and had a wide range of uses, its upper limit was very obvious even in the later stages of development.

Therefore, Yayoi's father did not pay much attention to him.

Fortunately, there was an older brother with the personality of [Spirit-branded Retainer], who was powerful and could pass on the family's glory, so the family did not have high requirements for Yayoi as the youngest son, so even if Yayoi's personality was not amazing enough, it was not a big problem.

It was not until Yayoi was about six years old that his father, as the head of the family, finally felt that it was time to let Tōun come in contact with the family's inheritance.

So one day, the head of the family took Yayoi and his 13-year-old brother to do the routine daily lessons.

Drawing talismans, chanting spells, and making hand seals, these basic skills successfully made little Yayoi, who could not even recognize words, feel distressed. He pitifully asked his brother for help, and the golden beans in his eyes were about to fall out.

His brother, who was already a junior high school student, made a hand seal, and at the last moment, the originally ordinary white paper flashed with light, and Yayoi was successfully attracted by it.

When the light faded, a large snow-white dog jumped out of the paper, and sat in front of the two dignified and arrogant.

"Yayoi, this is the Dog God."

"Can I hug him?"

"Of course."

Yayoi threw himself on the large dog and buried himself in the soft fur of the Dog God, finally forgetting the trouble of being forced to memorize the curse.

"Yayoi, my personality is [Spirit-branded Retainer]. I can summon any Spirit-branded Retainer through paper, but I can't make paper like Yayoi can. If I go out, I have to bring a pile of paper with me!"

Even after listening to his brother's explanation, Yayoi was still puzzled by the Tōun family's traditional daily lessons.

His brother patted Yayoi's head, trying to coax Yayoi to learn obediently.

"Isn't it boring to only make paper and control paper?"

Seeing Yayoi's reluctant expression, his brother flipped through the book and pointed: "Look at this, make a piece of paper, recite this spell, and use this hand seal, and you can summon a small paper man to play with you!"

Yayoi was very dissatisfied with his brother's attempt to coax him into memorizing the book, and he righteously refused: "I don't need to recite a spell to make a small paper man!" After saying this, a paper man-shaped piece of paper appeared in front of Yayoi out of thin air.

His brother was helpless: "You don't have to make paper take human form, you have to learn the spell to make the paper man have life and consciousness..."

He couldn't finish his sentence.

Before he could finish his sentence, Mi Sheng's paper doll crossed its arms angrily and turned its back on him, giving him a proud view of its back.

...

Even his father, who was the head of the family, was shocked.

After further observation, he even found out that Yayoi didn't need any spells, talisman arrays, hand seals, or other traditional methods to communicate with the Nirvana Realm. He only needed paper and his mind as a medium, and he could easily achieve the effects of most of the abilities that the Tōun family's ancestors had passed down and improved over time.

However, this effect could only be achieved by Yayoi using his own personality to make paper. Yayoi couldn't achieve this effect with ordinary paper, and to others, the paper made by Yayoi was just ordinary paper.

This was a natural-born psychic personality.

Yayoi Higashikuma's personality was not so much paper, but the manifestation of his spiritual power in the form of paper, and its shape, texture, and use were completely controlled by Yayoi Higashikuma's mind.

As for why he used paper as the manifestation of his spiritual power, it might be the influence of his bloodline.

Hawkes knew the history of the Tōun family, and he knew even better than Yayoi Higashikuma himself that his personality and ability could bring the Tōun family to greater heights.

Unfortunately, Mi Sheng seemed to have committed some kind of mental illness during his high school years. He had actually become obsessed with close-combat techniques, and had even begun to faintly express his dissatisfaction and inferiority towards his own personality. He rarely used the skills that came from his family.

The biggest nemesis of paper was fire, and it was completely suppressed in terms of attributes. Hawkes gritted his teeth and automatically blamed the Bombardment Scorch for Yayoi Higashikuma's deviation.

So now, seeing Yayoi use the Tōun family's enchantment again on the field, Hawkes was a little surprised.

The hexagonal enchantment was a binding array, and the six paper walls formed an invisible boundary under the support of Tōun's mind, opening up the inner space into a small world.

Without Tōun's permission, Mao Yuan and "Bombardment Scorch" couldn't leave, and people from the outside couldn't come in. At the same time, within the enchantment, Tōun's ability would be strengthened.

Tōun borrowed the inspiration he got from Mao Yuan, and countless paper ribbons stretched out from the ground inside the enchantment, like thorny plants breaking out of the ground, binding the two opponents.

If Mao Yuan's [Hair Stretching] trapped people and made them unable to exert force, then Tōun used the tyrannical power of the trapping array to forcefully pull its prey.

Even if "Bombardment Scorch" used the dagger in his hand, he couldn't cut the paper ribbons, because to the people inside the enchantment, as the owner of the enchantment, Tōun and his paper ribbons could be said to be invincible.

Facing the completely controlled Mao Yuan and Keimi who had returned to her female form, as the referee, Hawkes didn't start the countdown out of selfishness.

He had the willful power to change the direction of things and satisfy his curiosity.

He felt that this battle could become even more exciting.

The Tōun family's enchantment seemed powerful, but it wasn't perfect.

The enchantment couldn't be easily broken from the inside, so correspondingly, attacking from the outside could easily find the enchantment's weakness.

Once the paper ribbons were destroyed from the outside, the enchantment would collapse.

Bombardment Scorch and Kurokawa were engaged in a fierce tug-of-war with Night Haze. Their personalities, wind, impact cannon, ice, and fire, were all large-scale and powerful attacks.

In another round of their confrontation, the fierce airflow mixed with the high-temperature flames, and even the air was distorted by the high temperature.

Night Haze's strong wind, which swept up the roaring flames, finally reached Yayoi's enchantment as Hawkes expected.

The paper ribbons on the outside fell apart under the licking of the flames, and quickly turned into ashes.

Mao Yuan and Miquet inside the enchantment used their own abilities and techniques to break free from Tōun's control.

The flames were still burning fiercely. In the battle, the entire arena was a sea of fire, and because of the strong wind, the fire became even more rampant.

In the fire, Hawkes looked down at the scene from above, and the corner of his mouth raised into an expectant smile.

The hot temperature distorted the air, and Hawkes couldn't see Tōun's expression at this time, but this didn't affect Hawkes' good mood.

This is interesting, isn't it?

Yayoi, even if your personality is suppressed in terms of attributes, the Tōun family has never been afraid of fire.

Not only the Tōun family, many personalities have natural enemies or obvious weaknesses, but a real professional hero always has a way to deal with these unfavorable situations.

Your potential is far more than that.

You've missed too many opportunities to rise from the ashes by running away before.

Now, you should cherish this opportunity. Let me see to what extent your personality can be unleashed under the complete suppression of the flames!

Watching his paper gradually turn into ashes in the flames, Tōun gritted his teeth and looked at Mao Yuan and Miquet in front of him with a headache.

Fortunately, Miquet had changed back to her original form, and was no longer in the appearance of "Bombardment Scorch", which finally calmed Tōun down a little.

Miquet calmly flicked the debris and ashes stuck to her body, and said frivolously, "Ah, I didn't expect that the one who saved us was the Bombardment Scorch's flames.

Your personalities really don't match! "

Tōun didn't say anything, and licked his dry lips.

Now, it was back to a 1v2 situation, but fortunately, the personalities of the two people on the other side weren't too difficult to deal with.

The real trouble was that there were large and small fires burning around Tōun, and under the strong wind, there was no possibility of them being extinguished.

The air was filled with sparks, and Tōun's paper, even if it floated in the air, would soon be infected by the flames and start to spontaneously burn.

The flames and the paper tangled together, and gradually the white color of the paper was dyed black. The pure white was swallowed up in the struggle and dissipated in the wind.